108931 - Autonomy after Autonomy: Aesthetics and Ideology in the Twilight of Neoliberalism - A autonomia depois da autonomia: estética e ideologia no ocaso do neoliberalismo |
Período da turma: | 17/10/2022 a 29/10/2022
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Descrição: | CONTEÚDO:
17.10 - Seminar 1: Autonomy: A Reintroduction 18.10 -Seminar 2: New Horizons: Carmen Herrera, Andreas Gursky, and the Age of Imperial Decay 19.10 - Seminar 3: Two Materialisms: Neoconcretism and the Aesthetics of Class Realignment 20.10 - Seminar 4: The Labor of Aesthetics: Photography, Structure, and Class 24.10 - Seminar 5: Roberto Schwarz and the Continuing Relevance of Georg Lukács 25.10 - Seminar 6: Realism and the Work of Art 26.10 - Seminar 7: Articulation Against Conflation: Autonomy and Objective Form27.10 - Seminar 8: Kurt Weill / Caetano Veloso: Pleasure and Politics in Art BIBLIOGRAFIA Adorno, Theodor. “Engagement.” In Noten zur Literatur, 409–30. Frankfurt am Main: Suhrkamp, 2003. Adorno, Theodor. Aesthetic Theory. London: Athlone, 1997. Badiou, Alain. “The Autonomy of the Aesthetic Process” (1965), trans. Bruno Bosteels. Radical Philosophy 178 (March–April 2013): 32–39. Beech, Dave. Art and Value: Art’s Economic Exceptionalism in Classical, Neoclassical and Marxist Economics. Leiden: Brill, 2015. Bourdieu, Pierre. “Le marché des biens symboliques.” L’Anée Sociologique 22 (1971): 49–126. Brecht, Bertolt. The Threepenny Opera, trans. Ralph Mannheim and John Willet. In The Threepenny Opera, Baal, and The Mother, 62–141. New York: Arcade, 1993. Brenner, Robert. The Economics of Global Turbulence. London: Verso, 2006. Brown, Nicholas. Utopian Generations: The Political Horizon of Twentieth-Century Literature. Princeton, NJ: Princeton University Press, 2005. Brown, Nicholas. Autonomy: The Social Ontology of Art Under Capitalism. Durham: Duke, 2019. Bürger, Peter. Theorie der Avantgarde. Frankfurt am Main: Suhrkamp, 1974. Campos, Augusto de. “Conversa com Caetano Veloso.” In Balanço da bossa e outras bossas, 199–207. São Paulo: Perspectiva, 1974. Candido, Antonio. “Dialéctica da malandragem.” Revista do Instituto de Estudos Brasileiros 8 (June 1970): 67–89. Chicago Symphony Orchestra, Daniel Barenboim, Waltraud Meier, and Siegfried Jerusalem. Mahler: Das Lied von der Erde. Warner Classics, [1991] 2002. Foucault, Michel. The Birth of Biopolitics: Lectures at the College de France, 1978–1979, trans. Graham Burchell. New York: Palgrave, 2008. Fried, Michael. “Art and Objecthood.” In Art and Objecthood, 148–72. Chicago: University of Chicago Press, 1998. Gilberto, João. João Gilberto Live in Montreux. Elektra/Musician, 1986. Greenberg, Clement. “Modernist Painting.” In The Collected Essays and Criticism, Volume 4: Modernism with a Vengeance, 1957–1969, ed. John O’Brian, 85–100. Chicago: University of Chicago Press, 1993. Gullar, Ferreira Antologia crítica: Suplemento dominical do Jornal do Brasil. Rio de Janeiro: Contra Capa, 2015. Gullar, Ferreira. Cultura posta em questão e Vanguarda e subdesenvolvimento. Rio de Janeiro: José Olympio, 2002. Hinton, Stephen, and Jürgen Schebera, eds. Kurt Weill: Musik und Theater: Gesammelte Schriften, mit einer Auswahl von Gesprächen und Interviews. Berlin: Henschelverlag, 1990. Horkheimer, Max, and Theodor Adorno. Dialectic of Enlightenment, trans. John Cumming. New York: Continuum, 1996. Jameson, Fredric. Postmodernism: Or, the Cultural Logic of Late Capitalism. Durham, NC: Duke University Press, 1991. Jobim, Antonio Carlos. Jobim. mca, 1973. Lukács, György. Goethe and His Age, trans. Robert Anchor. London: Merlin, 1968. Lukács, György. “Zur Ästhetik Schillers.” In Probleme der Ästhetik, 17–106. Neuwied, Germany: Luchterhand, 1969. Mahler, Gustav. Das Lied von der Erde. Vienna: Universal, 1912. Marx, Karl. Capital: A Critique of Political Economy, vol. 1, trans. Ben Fowkes. London: NewLeft Review, 1976. Marx, Karl. Das Kapital 1.1: Resultate des unmittelbaren Produktionsprozesses. Berlin: Dietz, 2009. Moraes, Reinaldo. Pornopopéia. Rio de Janeiro: Objetiva, 2008. Schönberg, Arnold. “Neue Musik, veraltete Musik, Stil und Gedanke.” In Stil und Gedanke: Aufsätze zur Musik, 25–34. Frankfurt am Main: Fischer, 1976. Schwarz, Roberto. “Altos e baixos da atualidade de Brecht.” In Seqüências brasileiras: Ensaios, 113–48. São Paulo: Companhia das Letras, 1999. Schwarz, Roberto. “Cultura e política, 1964–1969.” In O pai da família e outros estudos, 61–92. Rio de Janeiro: Paz e Terra, 1978. Schwarz, Roberto. “The Relevance of Brecht: High Points and Low,” trans. Emilio Sauri. Mediations 23, no. 1 (Fall 2007): 27–61. Schwarz, Roberto. “Verdade tropical: Um percurso de nosso tempo.” In Martinha versus Lucrécia, 52–110. São Paulo: Companhia das Letras, 2012. Schwarz, Roberto. “Worries of a Family Man,” trans. Nicholas Brown. Mediations 23, no. 1 (Fall 2007): 21–25. Veloso, Caetano. Caetano Veloso. Philips, 1969. Veloso, Caetano. “Primeira feira de balanço” [1965]. In O mundo não é chato, 143–53. São Paulo: Companhia das Letras, 2005. Veloso, Caetano. Verdade tropical. São Paulo: Companhia das Letras, 1997. Weill, Kurt, and Bertolt Brecht. Die Dreigroschenoper. Score. Vienna: Universal Edition, 2008. Weill, Kurt. Ausgewählte Schriften, ed. David Drew. Frankfurt am Main: Suhrkamp, 1975. Werneck, Humberto. Chico Buarque: Letra e música. São Paulo: Companhia da Letras, 1989. |
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Carga Horária: |
30 horas |
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Tipo: | Obrigatória | ||||
Vagas oferecidas: | 20 | ||||
Ministrantes: |
Nicholas Mainey Brown |
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